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Figured in Marble: Illuminating sculptural aesthetics
Sculptures from the Victoria and Albert Museum

Simply perfectCyndi
Passion!

Fabulous country, great guidebookThe information is ample, there are many maps throughout with impressive amounts of detail, and it's a reasonable size and is durable and well-bound. The only drawback is the limited number of photos... but Namibia is so gorgeous, you'll have plenty of your own!
Extremely useful guide to tour this magnificient country wit

Excellent guide to implement precepts into daily life
Time Out of Mindfulness

The storytelling of Madeline Baker
Original!

A must-read for serious Bilingual Educators
Excellent Survey of Bilingualism & Bilingual Education

The Founding of Christian Science: (1888-1900)This biographical series about Mary Baker Eddy is by all means the best ever written about Mary Baker Eddy and every Christian Scientist should read this and the other two books which are part of the series. We owe a tremendous amount of gratitude to the writer. Thank you.
Spiritual History of Mary Baker Eddy & Christian ScienceFrom the point of view of Christian Science, this is the best three volume biography of Mrs. Eddy written to date. Unlike the Peel biographies with their secular bent and attempts to paint Mrs. Eddy as no more than a very significant historical figure, Grekel starts where Rober Peel left off and thoroughly explains the spiritual identity and significance of the discover and founder of Christian Science. For Grekel, unlike Peel, Mrs. Eddy represents the human manifestation in the flesh of the the 2nd Coming of Christ found in Christian Science. Mrs. Eddy is seen by Grekel as fufilling both Old and New Testament prophecy from Isaiah to the Gospels of the promised revelator of the Comforter. To Grekel, Mrs. Eddy's spiritual identity is to be found in Revelation as the Woman of Prophecy and only those Christian Scientists that can see this are the "remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.Rev 12:17. It is clear that the authoress, Doris Grekel and co-author Morris are obviously writing wholly from the standpoint of convinced disciples of Mrs. Eddy. Doris makes no apologies for that approach.
While many from within and without the Christian Science movement will disagree with both Grekel's approach and her credentials, few readers will deny that this book is nothing short of a loving "Ode" to Mrs. Eddy. Dr. Robert Putnam, a student of Bliss Knapp, has described this book in a short review of books on Mrs. Eddy and Christian Science as a "flawless account". Others will decry it for a lack of historical objectivity and as a thinly veiled attack on the current and past management of the very church Mrs. Eddy founded, The First Church of Christ, Scientist, in Boston Mass.
If it is widely read inside the Christian Science movement, it will be sure to be highly controversial. CS folks who condemned the re-publication of Bliss Knapp's book, The Destiny of the Mother Church, will condemn all three volumes of this trilogy for the same reasons. To say that this book almost deifies Mrs. Eddy is an understatement. There is no attempt to portray her human failings as the recent Gill bio did. This and the other two books take the exact OPPOSITE of the Peel and Gill approach. Hence, while many of the "true believers" will love these three books, the historical so-called professional critics of Mrs. Eddy will decry it as "not objective and not even foot noted" and Mrs. Eddy's traditional orthodox "Christian" enemies will denounce it as Christian Science carried to both theologically and logically indefensible and absurd conclusions. Nevertheless, these books may have to wait centuries until they, like Science and health will be accepted by a wider audience. I think Grekel would agree with this assessment. That few Year 2000 readers would understand much less appreciate the import of this, the first book the Grekel's trilogy is no surprise from the standpoint of Christian Science theology. "the light shineth in darkness; and the darkness comprehended it not." John 1:5. Also "But the natural man receiveth not the things of the Spirit of God: for they are foolishness unto him: neither can he know them, because they are spiritually discerned." 1 Cor 2:14
In short, if you love Mrs. Eddy you will probably find much "new" information in these books. The Grekels ably use early CS literature, the CS Weekly - later Sentinel and the Journal of CS, later CS Journal to trace both Mrs. Eddy's thought as well as the growth of her church. They also bring to light much correspondence between Mrs. Eddy and her students and church officers. Unfortunately the book would be more helpful if it had footnoting of the Peel works. The Grekels rely on published and unpublished memoirs and reminiscences of early students of CS to support their intrepretation.
The issue of the Mrs. Eddy's intent in the continuation of the Mother Church following her passing is explored. It is plain however, that the Grekels are NOT at all 100% subscribers of the "Mother Church, A Church Meant to Last" or the "Permanancy of the Mother Church" (Adam Dickey CSJ Article et al) view. They come down more along the lines of the Helen Wrights, the CS Research Foundation and others in their insistence that the CS Board of Directors ignored and disobeyed what they call the "Estoppel Clauses" or those clauses in the Manual of the Mother Church requiring Mrs. Eddy's express consent. The Grekels ignore that this view was the decided minority view after Mrs. Eddy's passing.
I suggest a reader withhold judgement until finishing all three books. While I found them a very interesting source of information for the advanced CS metaphysician, I would not recommend them for the general public at all.
A reader is encouraged to read the primary sources on Christian Science, the Christian Science textbook, Science and Health with Key to the Scriptures, the Manual of the Mother Church. Other works such as Miscellaneous Writings 1883-1896 and the First Church of Christ, Scientist & Miscellany which traces the building of her beloved church and selected correspondence until her passing in December 1910. All the published writings other than Science and Health were collected in what is called "Prose Works".


Gentleman's Companion or Experiences of the Grand Bon VivantIn his far-ranging travels, Baker ferreted out the most intriguing and exotic restaurants and watering holes of the time from Shanghai to Key West, assiduously recording and compiling receipts (as he calls recipes) and concoctions galore. Baker shares these recipes with the reader in the form of well-detailed and often amusing remembrances of his first and sometimes subsequent encounters with the dish or drink. Many of the establishments he visited and chronicled are now legendary or nostalgically remembered. From the Raffles Hotel in Singapore to Shepperds in Cairo to the Grand Bretagne in Athens, Baker paints the reader an epicure's picture of a very different time and world long lost to us.
Although his prose were probably somewhat tortured even in the 1930s when the book was first published, they make for interesting if not amusing reading today. In fact, Baker's style as a raconteur amplifies and potentiates his narrative of those long-ago experiences, and his sheer enjoyment of life pushes through even the most obscure verbiage. This man was a giant among bon vivants. He lived life to the fullest and with such flair and conviction that one cannot help but be envious - if not in awe - of his exploits and adventures.
Baker, an interesting character, was born in 1895, and when not travelling, hung out down in Coconut Grove - way back when it really was a Bohemian artist's place to be. He was at various times a writer for the old Town and Country and Esquire magazines, penned a few other collections, once even tried his hand at a novel, and he is still quoted in the drink-crafting tomes. But first and foremost - without a doubt - Baker was the Grand Bon Vivant
BEST KEPT SECRET

Hunting Down Texas' GhostsThe historical research is very in-depth and resurrects these "towns that time forgot" in the reader's mind. The book is lavishly illustrated with black and white photos taken by the author, as well as archival material. Highly recommended!
Wonderful!!

Excellent, Informative Book, Fun reading
Good information, well presented
The book begins in the early eighteenth century, with a minute dissection of the notebooks and 'Lives' by Vertue, Walpole and Cunningham. Baker manages to unlock a surprising wealth of information from these difficult, often opaque texts, by looking for new ways of approaching, reading and understanding their cryptic use of language. This sets the tone of the book, and in the following chapters, Baker continues to glean information from the most unexpected sources. Always approaching his subjects obliquely, the book brings to light aspects of sculpture that often remain unseen, unnoticed, and unexamined.
The first half of the book explores interconnections between sculpture and the luxury trades, the classifying of genres, and the public and private expectations of commissioned subjects, by looking at the conditions under which sculpture was designed and made. The second half links the development of the sculpture gallery with the emergence of aesthetic theory and the growing interest in the effect of the display and 'staging' of sculpture. The final chapter arrives at a very recent event: the controversial, drawn-out, and extraordinarily public affair of 'saving' Canova's Three Graces for the nation. Baker raises pertinent issues about the making, viewing and assimilation of sculpture into the public arena.
Although clearly addressing a specialist subject, the book is much more than a historical study of eighteenth century sculpture. Weaving together close readings of contemporary texts and modern interpretations of individual artists and studio-practice, the author compels his readers to question their preconceptions about sculpture. In Baker's own words, what he does in this book is 'to relate a narrative about changing notions of history and changing ways of perceiving and understanding objects'. Always moving between specific cases and their broader relevance, Baker embraces issues of continuing importance to the understanding of sculpture. Using the historical context as a framework for his arguments, the author questions the development of modern attitudes and ideas.
In a sense, the book could be described as an analysis of the evolution of histories of sculpture. It reveals as much about the eighteenth century as it does about our modern understandings, and (mis-)conceptions, of sculpture. This is an important contribution to the study of sculpture, and is essential reading for anyone with a serious interest in sculptural aesthetics.